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In the opening half of the concert, Saint-Saëns was the soloist in Beethoven's Fourth Piano Concerto, with Arthur Sullivan conducting. In the second half, in keeping with the Society's tradition of inviting composers to perform their own works, Saint-Saëns himself conducted the performance of his new symphony.
The Piano Concerto No. 2 in G minor, Op. 22 by Camille Saint-Saëns was composed in 1868 and is probably Saint-Saëns' most popular piano concerto. It was dedicated to Madame A. de Villers (née de Haber). At the première on 13 May the composer was the soloist and Anton Rubinstein conducted the orchestra. [1]
Concerto pour piano nº 2 en sol mineur: Piano Concerto No. 2 in G minor: for piano and orchestra: Concertante: 29: 191: 1869: Concerto pour piano nº 3 en mi bémol majeur: Piano Concerto No. 3 in E ♭ major: for piano and orchestra: Concertante: 37: 192: 1871: Romance en ré bémol majeur: Romance in D ♭ major: for flute and piano or ...
Organ Concerto No. 3 for Organ and string orchestra, op. 14 (1965. Paris: Leduc, 1972) Organ Concerto No. 4 for Organ and orchestra, op. 31 (1978. Unpublished.) Organ Concerto No. 5 ("Le Roi Arthur") for Organ and Brass quintet, op. 35 (1979/revised in 2010. Mainz: Schott, 2012) Concerto 2000 for Organ and large orchestra, op. 62, (2000. Mainz ...
The Piano Concerto No. 3 in E-flat major, Op. 29 by Camille Saint-Saëns, was composed in 1869. The concerto is written in 3 movements. The concerto is written in 3 movements. When the concerto was first performed by Saint-Saëns himself at the Leipzig Gewandhaus on 27 November 1869 it was not well received, possibly because of its harmonic ...
The work is scored for solo piano, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, timpani and strings. A notable feature is an opening triadic solo for the natural horn which predates the much more famous example of Johannes Brahms's B-flat concerto by around 20 years.
The first, "cyprès" ("cypress"), is a mournful dirge adagio for organ solo, recalling a mournful cypress. Once the orchestra makes its entrance, there is an uplifting and sprightly interplay between the organ and orchestra, reminiscent of a militaristic march (hence the "lauriers", or "laurels") that makes liberal use of brass and a large ...
The Oratorio de Noël, Op. 12, by Camille Saint-Saëns, also known as his Christmas Oratorio, is a cantata-like work scored for soloists, chorus, organ, strings and harp.. While an organist at La Madeleine, Saint-Saëns wrote the Christmas oratorio in less than a fortnight, completing it ten days before its premiere on Christmas 1858
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