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In the opening half of the concert, Saint-Saëns was the soloist in Beethoven's Fourth Piano Concerto, with Arthur Sullivan conducting. In the second half, in keeping with the Society's tradition of inviting composers to perform their own works, Saint-Saëns himself conducted the performance of his new symphony.
Concerto pour piano nº 2 en sol mineur: Piano Concerto No. 2 in G minor: for piano and orchestra: Concertante: 29: 191: 1869: Concerto pour piano nº 3 en mi bémol majeur: Piano Concerto No. 3 in E ♭ major: for piano and orchestra: Concertante: 37: 192: 1871: Romance en ré bémol majeur: Romance in D ♭ major: for flute and piano or ...
The first, "cyprès" ("cypress"), is a mournful dirge adagio for organ solo, recalling a mournful cypress. Once the orchestra makes its entrance, there is an uplifting and sprightly interplay between the organ and orchestra, reminiscent of a militaristic march (hence the "lauriers", or "laurels") that makes liberal use of brass and a large ...
The piano plays a waltz-like triplet figure while the bass hums the melody beneath it. Like "Tortues", this is also a musical joke—the thematic material is taken from the Scherzo from Mendelssohn 's incidental music to A Midsummer Night's Dream and Berlioz 's "Dance of the Sylphs" from The Damnation of Faust .
The Piano Concerto No. 2 in G minor, Op. 22 by Camille Saint-Saëns was composed in 1868 and is probably Saint-Saëns' most popular piano concerto. It was dedicated to Madame A. de Villers (née de Haber). At the première on 13 May the composer was the soloist and Anton Rubinstein conducted the orchestra. [1]
Saint-Saëns c. 1880 Charles-Camille Saint-Saëns (UK: / ˈ s æ̃ s ɒ̃ (s)/, US: / s æ̃ ˈ s ɒ̃ (s)/ ; French: [ʃaʁl kamij sɛ̃sɑ̃(s)] ⓘ ; [n 1] 9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello ...
The Oratorio de Noël, Op. 12, by Camille Saint-Saëns, also known as his Christmas Oratorio, is a cantata-like work scored for soloists, chorus, organ, strings and harp.. While an organist at La Madeleine, Saint-Saëns wrote the Christmas oratorio in less than a fortnight, completing it ten days before its premiere on Christmas 1858
It is one of the earliest works by the composer to make use of an organ (or harmonium) in a chamber ensemble, preceded only by the Six Duos for harmonium and piano, Op. 8. [1] In addition to the original scoring, the work has been transcribed for orchestra , piano solo, piano four-hands , and for piano quartet, with a cello taking the part of ...
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