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The Ford–GM 10-speed automatic transmission is part of a joint venture between Ford Motor Company and General Motors to design and engineer two transmissions: a longitudinal 10-speed transmission and a transverse 9-speed trans-axle.
FASTRAND was a magnetic drum mass storage system built by Sperry Rand Corporation (later Sperry Univac) for their UNIVAC 1100 series and 418/490/494 series computers. A FASTRAND subsystem consisted of one or two Control Units and up to eight FASTRAND units.
AN/UYK-7 – multiprocessor for Aegis. 32-bit replacement for the Naval Tactical Data System, derived from UNIVAC 1108 AN/UYK-8 – dual processor version of the Naval Tactical Data System AN/UYK-20
Mercon ULV is composed of a Group 3+ Base oil and additives needed for the proper operation of the 2017 and above Ford 10R80 and the GM 10L90 10-Speed rear wheel drive automatic transmission. This transmission and the transmission fluid specification was co-developed by Ford and GM.
The machine (MKI) makes an appearance in the video, in a scene in which singer Annie Lennox is seated on top of a table in a meadow, as Dave Stewart types on the Drum Computer's keyboard. In this video the version used is the prototype model with a two-piece base unit and separate monitor.
The Tandy Memorex Video Information System (VIS) is an interactive, multimedia CD-ROM player produced by the Tandy Corporation starting in 1992. It is similar in function to the Philips CD-i and Commodore CDTV systems (particularly the CDTV, since both the VIS and CDTV were adaptations of existing computer platforms and operating systems to the set-top-box design).
A typical low-cost webcam (a Microsoft LifeCam VX-3000) for use with many popular video-telecommunication programs (2009). This list of video telecommunication services and product brands is for groupings of notable video telecommunication services, brands of videophones, webcams and video conferencing hardware and systems, all related to videotelephony for two-way communications with live ...
Drum replacement is the practice, in modern music production, of an engineer or producer recording a live drummer and replacing (or adding to) the sound of a particular drum with a pre-recorded sample. For example, a drummer might play a beat, whereupon the engineer might then replace all of the snare hits with the sound of a hand-clap.