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Additionally, G.I. Joe issued a 12-inch Roadblock action figure for the 1992 Hall of Fame series that brought back the 12-inch G.I. Joe action figures. [16] After that, G.I. Joe issued two other versions of the 12-inch Roadblock. Roadblock's head is bald, and his face has a mustache, though some versions have a small goatee on the chin.
This list of G.I. Joe: A Real American Hero episodes covers the Sunbow / Marvel 1985 series, the 1987 feature film, and the DiC 1989 series. Sunbow/Marvel series (1983–1986) Miniseries #1 (1983) No. overall No. in season Episode Title Director Writer Original Airdate Production Code 1 1 "The M.A.S.S. Device, Part 1: The Cobra Strikes" Dan Thompson Ron Friedman September 12, 1983 (1983-09-12 ...
G.I. Joe is an American media franchise and a line of action figures owned and produced by the toy company Hasbro. [3] [4] The initial product offering represented four of the branches of the U.S. armed forces with the Action Soldier (), Action Sailor (), Action Pilot (U.S. Air Force), Action Marine (U.S. Marine Corps) and later on, the Action Nurse.
"Money to Burn" is a song written by Johnny Nelms and recorded by American country music artist George Jones. It was released on the Mercury label as the B-side to his 1959 single " Big Harlan Taylor " [ citation needed ] and became a hit, reaching #15 on the Billboard country survey. [ 1 ]
Burn Out is a member of the Dreadnoks who is an expert mechanic ... A highly skilled, arrogant assassin, he serves in the Plague for money, and protection from the ...
Gnawgahyde is sent with newer Dreadnoks when Tomax and Xamot decide to physically destroy the evidence of a money laundering scheme, which involves a television studio. His team includes the diminutive Rugrat, the female Heart-Wrencher and the Dreadnok mechanic Burn-Out.
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When Hasbro launched the G.I. Joe: A Real American Hero toyline in 1982 alongside the Marvel Comics series, it commissioned Marvel Productions to produce a series of fully animated 30-second television commercials which were broadcast in order to promote the comic book publication, since advertising regulations for a literary work were more lax than for a direct toy commercial. [8]