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McQueen wanted to work for an existing fashion brand rather than assume the risk of founding his own, but friends persuaded him to present a collection for the Autumn/Winter 1993 season at London Fashion Week. [17] McQueen launched his own label with Taxi Driver, which was exhibited at the Ritz Hotel in London in lieu of a fashion show.
No. 13 Finale is a performance artwork by fashion designer Alexander McQueen, presented at the end of the Spring/Summer 1999 show for McQueen's eponymous fashion house.It consists of model Shalom Harlow wearing a white dress, standing on a rotating platform on the show's catwalk and being spray-painted by robots.
[24] [29] Industry figures in attendance included Nicole Fischelis, fashion director of the department store Saks Fifth Avenue, and Vogue editor Anna Wintour, who was making her first appearance at a McQueen show. [37] [36] McQueen's mother Joyce was also in the audience. [24] McQueen typically worked with a consistent creative team for his shows.
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With Cardi B sitting front row, creative director Séan McGirr showed a collection that blended sharp tailoring with ethereal gowns.
British designer Alexander McQueen designed 36 womenswear collections under his eponymous fashion label during a career that lasted from 1992 until his death in 2010. [a] [3] As a designer, McQueen was known for sharp tailoring, historicism, and imaginative designs that often verged into the controversial. [4]
Seán McGirr paid homage to the house founder and stomped toward the future with his debut collection for Alexander McQueen at Paris Womenswear Fall/Winter 2024-25.
The show also featured Kate Moss and Erin O'Connor. Olley also modelled for Nick Knight's Sister Honey series created for Dazed & Confused with British designer Peter Saville. It was the McQueen show that brought Olley to Nick Knight's attention, as he later said of it on his SHOWstudio.com blog: "The girl in the box was Michelle Olley.