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  2. Category:Guitar parts and accessories - Wikipedia

    en.wikipedia.org/wiki/Category:Guitar_parts_and...

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  3. Boss Corporation - Wikipedia

    en.wikipedia.org/wiki/Boss_Corporation

    The Metal Zone (MT-2) was released in 1991. In 1992 Boss released nine new pedals, including the Turbo Distortion (DS-2). The Heavy Metal (HM-2) distortion pedal was an integral part of the guitar sound of many styles of heavy metal music ever since. [6] The pedals all share the same 'footprint', for compatibility with pedal boards.

  4. BeatBuddy - Wikipedia

    en.wikipedia.org/wiki/BeatBuddy

    The BeatBuddy is a digital drum machine made by Singular Sound which is housed in the form of a stompbox unit.The floor-based format and pedal footswitch enables musicians (like guitar, bass and keyboard players, among others) to control the device "hands-free" while they are performing an instrument with their hands.

  5. Effects unit - Wikipedia

    en.wikipedia.org/wiki/Effects_unit

    A footswitch pedal such as the "A/B" pedal routes a guitar signal to an amplifier or enables a performer to switch between two guitars, or between two amplifiers. This footswitch controls an effect (distortion), but it is not an effects pedal as the case does not contain effects circuitry; it is just a switch.

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  7. B-Bender - Wikipedia

    en.wikipedia.org/wiki/B-Bender

    The resulting tone sounds much like a pedal steel guitar and contributes a "country" feeling. The original device, named the "Pull-String" or "StringBender" in various iterations, was designed, built, and installed by musicians Gene Parsons and Clarence White , and as such the device is sometimes called the "Parsons-White B-Bender".

  8. Live looping - Wikipedia

    en.wikipedia.org/wiki/Live_looping

    Even by the early 1990s, when dedicated loop machines first went on sale, the term "live looping" had not yet been coined. The first dedicated loop device was the Paradis LOOP Delay. [ 6 ] The Paradis and other models had volatile memories, forcing composers to develop fresh loops live in front of their audiences — and thus, live looping came ...

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