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A parody of the silent film era when directors made quickie one-reelers overnight, it focuses on Maggie Harris, a musical comedy star retiring from show business in order to marry into high society, until producer-director Max Grady arrives to remind her she has a contract to star in his film Frontier Woman.
Overture in E minor and incidental music to Raupach's König Enzio (1832; only the Overture survives) [4] 27: orchestral: Concert Overture No. 2 in C major (1832) [4] 37: orchestral: Overture and incidental music to Guido Theodor Apel's historic drama Columbus (1834-35; only the Overture survives) [4] 39: orchestral: Polonia Overture in C major ...
Leroy Anderson (/ l ə ˈ r ɔɪ / lə-ROY) (June 29, 1908 – May 18, 1975) was an American composer of short, light concert pieces, many of which were introduced by the Boston Pops Orchestra under the direction of Arthur Fiedler.
This motif also appears in measures 6, 10, and 12, several times later in the work, [clarification needed] and at the end of the last act.. Martin Vogel [] points out the "chord" in earlier works by Guillaume de Machaut, Carlo Gesualdo, J. S. Bach, Mozart, Beethoven, or Louis Spohr [1] as in the following example from the first movement of Beethoven's Piano Sonata No. 18:
Six Songs for voice and piano, Op. 34 (1834–37) (No. 2: "On Wings of Song") Six Lieder for four mixed voices or SATB chorus a cappella, Op. 41 (1834–38) Three Lieder for bass voice and piano, Op. Posth. 84 (1831–39) Six Songs for voice and piano, Op. 47 (1832–39) Ersatz für Unbestand, TTBB chorus a cappella (1839) (WoO 8) (MWV G 25)
Eight Four-part Songs, p. 1898; Five-part Song, "Who can dwell with greatness" (Austin Dobson), p. 1900 "Ode to Newfoundland" (Sir Cavendish Boyle), national anthem of the Dominion of Newfoundland and now the provincial anthem of Newfoundland and Labrador, c. 1902–04; Four-part and eight-part Song, "In Praise of Song" (Parry), p. 1904
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