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Unglazed terracotta is suitable for use below ground to carry pressurized water (an archaic use), for garden pots and irrigation or building decoration in many environments, and for oil containers, oil lamps, or ovens. Most other uses require the material to be glazed, such as tableware, sanitary piping, or building decorations built for ...
Terracotta flower pots with terracotta tiles in the background Due to its porosity, fired earthenware, with a water absorption of 5-8%, must be glazed to be watertight. [ 11 ] Earthenware has lower mechanical strength than bone china, porcelain or stoneware, and consequently articles are commonly made in thicker cross-section, although they are ...
Most traditional Indian pottery vessels are large pots or jars for storage, or small cups or lamps, occasionally treated as disposable. In contrast there are long traditions of sculpted figures, often rather large, in terracotta; this continues with the Bankura horses in Panchmura, West Bengal.
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The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the ...
Terracotta figurines are a wide range of small figurines made throughout the time span of Ancient Greece, and one of the main types of Ancient Greek pottery. Early figures are typically religious, modelled by hand, and often found in large numbers at religious sites, left as votive offerings .
A prime example is the Terracotta Army, a collection of man-sized terracotta sculptures depicting the armies of Qin Shi Huang, the first Emperor of China. It is a form of funerary art buried with the emperor in 210–209 BCE and whose purpose was to protect the emperor in his afterlife.
Vases in use are sometimes depicted in paintings on vases, which can help scholars interpret written descriptions. Much of our written information about Greek pots come from such late writers as Athenaios and Pollux and other lexicographers who described vases unknown to them, and their accounts are often contradictory or confused. With those ...