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The Mark, Tom, and Travis Show (The Enema Strikes Back!) is a live album by American rock band Blink-182.It was released on November 7, 2000, by MCA Records.Blink-182 had risen to fame at the turn of the millennium on the strength of its third album, Enema of the State, which went multiplatinum.
What Bad Religion gave to us is kind of like what we are giving back to the kids of the next generation, hopefully." [3] To celebrate the success of the tour, the band released a limited edition live album titled The Mark, Tom and Travis Show (The Enema Strikes Back!), which featured snippets of the band's infamous between-song dialogue. [7]
"Man Overboard" is a song by the American rock band Blink-182. It was first released on September 2, 2000, through MCA Records as the lead single from the band's live album The Mark, Tom, and Travis Show (The Enema Strikes Back!) (2000).
"Dumpweed" is a song by American rock band Blink-182. It is the opening track from their third studio album, Enema of the State (1999). A live version of the song was released as a promotional single in November 2000 supporting the band's live album The Mark, Tom and Travis Show (The Enema Strikes Back).
A live rendition of the song was included on the band's 2000 album The Mark, Tom, and Travis Show (The Enema Strikes Back!). In the recording, Hoppus substitutes the lyric "But you're so beautiful to me" with "But you're so beautiful, Skye Leigh," a reference to his wife, Skye Everly. [27]
Launched in support of the group's 1999 album Enema of the State, the tour visited amphitheatres and arenas in November 1999. The tour was supported by Silverchair and Fenix*TX. [1] The November 4–5 shows were recorded for the band's live album The Mark, Tom, and Travis Show (The Enema Strikes Back!), which would be released a year later. [2]
The song is a staple of Blink-182's concert set lists. Numerous live recordings exist, most notably on the band's sole live album, The Mark, Tom and Travis Show (The Enema Strikes Back!) (2000). In 2015, Rolling Stone contributor Andy Greene named it the band's "single most juvenile song." [3]
Hoppus loved everything regarding Enema of the State—including the music videos and live show—and "wanted to do it again," hoping to create a bigger, better and louder follow-up. [2] DeLonge's guitar style was becoming dirtier and heavier; Arpeggiated guitar hooks became frenetic 1/16th note spasms," observed Hoppus. [2]