Search results
Results from the WOW.Com Content Network
De vulgari eloquentia (Ecclesiastical Latin: [de vulˈɡari eloˈkwentsi.a], Italian: [de vulˈɡaːri eloˈkwɛntsja]; "On eloquence in the vernacular") is the title of a Latin essay by Dante Alighieri. Although meant to consist of four books, it abruptly terminates in the middle of the second book.
In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility.
The first formal biography of Dante was the Vita di Dante (also known as Trattatello in laude di Dante), written after 1348 by Giovanni Boccaccio. [70] Although several statements and episodes of it have been deemed unreliable on the basis of modern research, an earlier account of Dante's life and works had been included in the Nuova Cronica of ...
Dante's depiction of Limbo is influenced by contemporary scholastic teachings on two kinds of Limbo—the Limbo of Infants for the unbaptised and the Limbo of the Patriarchs for the virtuous Jews of the Old Testament; the addition of Islamic, Greek, and Roman historical figures to the poem is an invention of Dante's, which has received ...
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.
Cerberus in the third circle of hell, as depicted by William Blake. The presence of Cerberus in the third circle of hell is another instance of an ancient Greek mythological figure adapted and intensified by Dante; as with Charon and Minos in previous cantos, Cerberus is a figure associated with the Greek underworld in the works of Virgil and Ovid who has been repurposed for its appearance in ...
Dante wanted to demonstrate that the Holy Roman emperor and the pope were both human and that both derived their power and authority directly from God. To understand this, it is necessary to think that man is the only thing to occupy an intermediate position between corruptibility and incorruptibility.
The Dante Encyclopedia, edited by Richard Lansing, [1] is a reference book for the life and works of Dante, especially the Divine Comedy. [ 2 ] [ 3 ] [ 4 ] Originally published in hardback in 2000, the book appeared in paperback in 2010.