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Isaac Asimov Presents The Great SF Stories 3 (1941) is an English language collection of science fiction short stories, edited by Isaac Asimov and Martin H. Greenberg. [1] [2] The series attempts to list the great science fiction stories from the Golden Age of Science Fiction. They date the Golden Age as beginning in 1939 and lasting until 1963.
The popular NBC science fiction show, Revolution, is based on a worldwide blackout due to the manipulation of nanotechnology. In 2010 Generator Rex was shown on Cartoon Network. It was based on a laboratory experiment going wrong and infecting the world with bad "Nanites" which turned people into monsters known as E.V.Os.
Analog Science Fiction: 1956 Extempore (short story) Damon Knight: Infinity Science Fiction: 1956 Eye for Eye: Orson Scott Card: Asimov's Science Fiction: 1987 Eyes Do More Than See: Isaac Asimov: The Magazine of Fantasy and Science Fiction: 1965 Fair Game (short story) Philip K. Dick: If Magazine: 1959 Falling Onto Mars: Geoffrey A. Landis ...
"The Heart of the Serpent" (originally in Latin: Cor Serpentis, Russian: Сердце Змеи) is a 1958 science fiction short story by the Soviet writer and paleontologist Ivan Yefremov. The crew of a spaceship encounters an alien ship in deep space. Speculation ensues about whether the other crew might be hostile.
"Button, Button" is a science fiction short story by American writer Isaac Asimov. [1] The story first appeared in a January 1953 issue of Startling Stories and was reprinted in the 1975 collection Buy Jupiter and Other Stories. It is one of several stories by Asimov in which he deliberately set out to be funny.
The short story has been called a "marvelously effective meditation on the nature of evil" [8] that weaves magic into its unpromising premise. [9] It is considered one of the stories that signaled Ellison's development into a thoughtful and mature fantasist [ 8 ] and secured his reputation as a bold science-fiction innovator.
"The Very Pulse of the Machine" is a science fiction short story by American writer Michael Swanwick, published in 1998. It was the winner of the 1999 Hugo Award for Best Short Story. It was also nominated for the 1999 Locus Award for Best Short Story and Asimov's Science Fiction magazine's Reader Poll. [1]
[3] In a review of the book, science fiction scholar Gary K. Wolfe writes, "Willis tries something truly astonishing: without resorting to supernaturalism on the one hand or clinical reportage on the other, without forgoing her central metaphor, she seeks to lift the veil on what actually happens inside a dying mind."