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The Gibson EB-3 is a bass guitar introduced in 1961 and discontinued in 1979. It was produced at Gibson's plant in Kalamazoo, MI. [1] It features a slim SG-style body, a short 30.5" scale, and two pickups (a large humbucking pickup in the neck position and a mini-humbucker pickup in the bridge position).
Learn to edit; Community portal; Recent changes ... EB-3 or EB3 may refer to: EB-3 visa, a U.S. immigrant visa preference category; Gibson EB-3, an electric bass ...
This page was last edited on 14 January 2012, at 22:21 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
This is a list of Gibson brand of stringed musical instruments, mainly guitars, manufactured by Gibson, alphabetically by category then alphabetically by product (lowest numbers first). The list excludes other Gibson brands such as Epiphone.
Gibson introduced its short-scale 30.5-inch (775 mm) EB-3 in 1961, also used by Bruce. [32] The EB-3 had a "mini-humbucker" at the bridge position. Gibson basses tended to be instruments with a shorter 30.5" scale length than the Precision. Gibson did not produce a 34-inch (864 mm)-scale bass until 1963 with the release of the Thunderbird. [33]
With the Allman Brothers, although Woody used many different basses, Gibson Thunderbirds were his preferred instruments, along with Alembic basses. With Gov't Mule, Allen usually played the Gibson EB series, particularly the hollow-bodied EB-2 and the solid-bodied EB-3. At times he played a Rickenbacker or Gibson Thunderbird.
The body was styled after the design of the double-cutaway Les Paul Junior, but retained the mahogany neck and body and 30.5" scale length of the Gibson EB-1. It was available in cherry red only. This version of the EB-0 remained in production until 1961, after which the body was redesigned to resemble the Gibson SG [3] (like the contemporary ...
The EB-1 had a solid mahogany body finished with a brown stain, and a raised pickguard, which was originally colored brown to more closely match the color of the body. It had a 30.5" scale [1] set neck—rather than the 34" scale of the Fender Precision Bass or the 41.5" scale of the 3/4-sized upright bass favored by many upright bassists of the time.
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