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Title Director Cast Genre Notes 1955: Moara cu noroc: Victor Iliu: Constantin Codrescu, Geo Barton [], Ioana Bulcă, Colea Răutu: Drama: English: The Mill of Good Luck.Entered into the 1957 Cannes Film Festival
La suola romana: Revenge of the Barbarians (La vendetta dei barbari) Peplum: La vérité: Labbra rosse: Le ambiziose: Le bal des espions: Le baron de l'écluse: Le bois des amants: Le legioni di Cleopatra: Adventure: Le olimpiadi dei mariti: Le passage du Rhin: Le Saint mène la danse: Le signore: Le signorine dai cappelli verdi: Le svedesi: Le ...
Alarm in the Mountains (Romanian: Alarmă în munți) is a 1955 Romanian action film directed by Dinu Negreanu. [1] In the Romanian countryside, the poor are threatened by bandits organised by the former owners of the lands who have been dispossessed by the communists.
Dacii (The Dacians) is a 1967 historical drama film about the run up to Domitian's Dacian War, which was fought between the Roman Empire and the Dacians in AD 87-88. The film shows historical events about Romania.
Michael the Brave (Romanian: Mihai Viteazul) is a Romanian historic epic film, directed by Sergiu Nicolaescu and starring Amza Pellea in the leading role. The film is a representation of the life of Wallachia's ruler Michael the Brave, and his will to unite the three Romanian principalities (Wallachia, Moldavia, and Transylvania) into one country.
Gheorghe Cozorici - Stephen the Great; Gheorghe Dinică - Sultan Mehmed II; Violeta Andrei - Maria of Mangop, Stephen's wife; Toma Dimitriu [] - Stanciu, Stephen's advisor; Sandina Stan - Lady Ilisafta
Showing foresight, Aurel Petrescu created an album with about 80 stills, today owned by the A.N.F (Arhiva Națională de Filme, in English: National Movie Archive) and from which we can get an idea of the techniques used by Petrescu in animating. Some stills have on their edge the black strip denoting recorded sound, which has led researchers ...
The film was successful upon release. Many commented that The Last Assault felt like an American film, which Nicolaescu took as a compliment. [4] It was selected as the Romanian entry for the Best Foreign Language Film at the 59th Academy Awards, but was not accepted as a nominee.