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Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .
Charles Francis Annesley Voysey FRIBA RDI [2] (28 May 1857 – 12 February 1941) was an English architect and furniture and textile designer.Voysey's early work was as a designer of wallpapers, fabrics and furnishings in a Arts and Crafts style and he made important contribution to the Modern Style (British Art Nouveau style), and was recognized by the seminal The Studio magazine. [3]
The period between 1876 and 1882 was the most productive for Morris; he created sixteen different wallpaper designs. In his wallpapers of this period, he reverted to more naturalistic themes, somewhat less three-dimensional than his earlier work, but with an exceptional harmony and rhythm, as in his designs Poppy (1885) and Acorn.
The house builds on ideas of German architects from the 1920s ("Glasarchitektur"). In a house of glass, the views of the landscape are its "wallpaper" ("I have very expensive wallpaper," Johnson once said. [6]) Johnson was also inspired by the design of Mies van der Rohe's Farnsworth House. The Glass House contains a collection of Bauhaus items ...
Northampton Guildhall, built 1861–64, displays Godwin's "Ruskinian Gothic" style Design, 1872 (V&A Museum no. E.515-1963). Edward William Godwin (26 May 1833 – 6 October 1886) was a progressive English architect-designer, who began his career working in the strongly polychromatic "Ruskinian Gothic" style of mid-Victorian Britain, inspired by The Stones of Venice, then moved on to provide ...
Expressionist architecture was individualistic and in many ways eschewed aesthetic dogma, [6] but it is still useful to develop some criteria which defines it. Though containing a great variety and differentiation, many points can be found as recurring in works of Expressionist architecture, and are evident in some degree in each of its works:
Much as building designs changed and morphed with traditional forms, architectural photography also evolved with time. During the early-to-mid-20th century, architectural photography became more creative as photographers used diagonal lines and bold shadows in their compositions, and experimented with other innovative techniques.
Belfast City Hall, an example of Edwardian Baroque architecture or "Wrenaissance", in Northern Ireland. Edwardian architecture usually refers to a Neo-Baroque architectural style that was popular for public buildings in the British Empire during the Edwardian era (1901–1910). Architecture up to 1914 is commonly included in this style. [1]
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