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The mood of a piece of literature is the feeling or atmosphere created by the work, or, said slightly differently, how the work makes the reader feel. Mood is produced most effectively through the use of setting, theme, voice and tone, while tone is how the author feels about something.
Mood is the general feeling or atmosphere that a piece of writing creates within the reader. Mood is produced most effectively through the use of setting, theme, voice and tone. Tone can indicate the narrator's mood, but the overall mood comes from the totality of the written work, even in first-person narratives .
Within various polarities created by the text, this "implied" reader makes expectations, meanings, and the unstated details of characters and settings through a "wandering viewpoint". In his model, the text controls. The reader's activities are confined within limits set by the literary work.
He was of Jewish origin. [8] David Merrill Markson was born in Albany, New York, on December 20, 1927. [5] [9]Educated at Union College and Columbia University, Markson began his writing career as a journalist and book editor, periodically taking up work as a college instructor at Columbia University, Long Island University, and The New School.
In this diagram, the implied author is the real author’s persona that the reader assembles from their reading of the narrative. [3] Although the implied author is not the real author of a work, he or she is the author that the real author wants the reader to encounter in the reading of a work.
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In this book, Naipaul discusses how the work of other writers has affected his writing. The book attracted criticism from those in British literary circles who thought that Naipaul gave uncharitable treatment to several notable authors, and in particular Anthony Powell and his novel sequence A Dance to the Music of Time, especially since Powell had been a friend of Naipaul's.
Structure of feeling is a term coined by literary theorist Raymond Williams. In The Great Gatsby , Nick Carraway expresses several different feelings towards the Roaring Twenties , simultaneously romanticizing, admiring, envying, pitying, and resenting the rich of New York.