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gob – (literally beak) mouth. From Irish gob. (OED) grouse – In slang sense of grumble, perhaps from gramhas, meaning grin, grimace, ugly face. griskin – (from griscín) a lean cut of meat from the loin of a pig, a chop. hooligan – (from the Irish family name Ó hUallacháin, anglicised as Hooligan or Hoolihan).
Actor Tommy Flanagan has the scars of a Glasgow smile from having been attacked outside a bar in Glasgow. [1]A Glasgow smile (also known as a Chelsea grin/smile, or a Glasgow, Smiley, Huyton, A buck 50, or Cheshire grin) is a wound caused by making a cut from the corners of a victim's mouth up to the ears, leaving a scar in the shape of a smile.
(from cailín meaning "young woman") a girl (usually referring to an Irish girl) (OED). corrie a cirque or mountain lake, of glacial origin. (OED) Irish or Scots Gaelic coire 'Cauldron, hollow' craic fun, used in Ireland for fun/enjoyment. The word is actually English in origin; it entered into Irish from the English "crack" via Ulster Scots.
A banshee (/ ˈ b æ n ʃ iː / BAN-shee; Modern Irish bean sí, from Old Irish: ben síde [bʲen ˈʃiːðʲe], "woman of the fairy mound" or "fairy woman") is a female spirit in Irish folklore who heralds the death of a family member, [1] usually by screaming, wailing, shrieking, or keening.
"Mná na hÉireann" (English: Women of Ireland) is a poem written by Irish poet Peadar Ó Doirnín (1700–1769), most famous as a song, and especially since set to an air composed by Seán Ó Riada (1931–1971).
Nuala Ní Dhomhnaill (Irish pronunciation: [ˈn̪ˠuəlˠə n̠ʲiː ˈɣoːnˠəl̠ʲ]; born 1952) is a modern Irish poet whose works have been described as having a "major influence in revitalizing the Irish language in modern poetry". [1]
On "Tuireamh na hÉireann," Vincent Morley wrote that it was "arguably one of the most important works ever written in Ireland. Composed in simple metre, easily understandable and capable of being learned by heart, this poem supplied an understanding of Irish history for the Catholic majority (monoglot speakers of Irish who could neither read nor write for the next two hundred years)."
According to Alexis Easley, "almost all of the poems Brown published in the Athenaeum were immediately reprinted in periodicals and newspapers," thus bringing her work to an even wider audience. [3] Browne published her first volume of poetry, The Star of Attéghéi, the Vision of Schwartz, and other Poems, in 1844. The volume received mostly ...