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By the 1990s, the vast majority of 35mm cameras had integral motor drive, and the feature found its way into some medium format cameras as well. [ 2 ] Motor drives for compact and amateur cameras wind slowly—shot-to-shot intervals of approximately a second are commonplace.
VistaVision could be shown at widescreen aspect ratios between 1.66 and 2.00:1. VistaVision could be (and most often was) further printed down to standard vertical 35 mm reels, keeping its 1.66:1 widescreen aspect ratio, which meant that exhibitors did not need to purchase additional projection equipment, as was often required for CinemaScope.
The Widelux is a fully mechanical swing-lens panoramic camera first developed in Japan in 1958, [2] by Panon Camera Shoko. There are both 35mm and medium-format models. Instead of a shutter, the camera has a slit that exposes the film as the lens pivots on a horizontal arc. This pivot allows for some distortion effects not available with ...
Stereo Realist Red Button viewer with slides. The Realist uses standard 135 film.The unusual proportions of the slides (the image was 5 sprockets wide [5]) became the standard for 3-D slides, and is known as "5P" or "Realist Format".
Techniscope employs standard 35 mm camera films, which are suitable for 2-perf (Techniscope), 3-perf, conventional 4-perf (spherical or CinemaScope), and even 6-perf and 8-perf (VistaVision), as all of those processes listed employ the same negative and intermediate films, and positive print films intended for direct projection (although 2-, 3- and 8-perfs are not distribution formats).
Mitchell R35 camera - a pin-registered, hand-holdable and tripod-mountable reflex 35mm camera with multiple magazine mounting positions and an available sound blimp. Proprietary R35 lens mount. Succeeded by the R35R (industry-standard BNCR mount) and the R35RC (BNCR mount and crystal-controlled motor). Mitchell NCR/BNCR camera - Reflex version ...
The View-Master Personal Stereo Camera was a 35mm film camera designed to take 3D stereo photos for viewing in a View-Master.First released in 1952, the camera took 69 pairs of photos on a 36-exposure roll of 35mm film, taking one set while the film was unwound from the canister, and another set while it was rewound.
Cameras used 35mm film running horizontally with an 8-perforation frame, double the normal size, exactly the same as VistaVision. VistaVision cameras were sometimes adapted for Technirama. Technirama used 1.5:1 anamorphic curved mirror optics in front of the camera lens (unlike CinemaScope's cylindrical lenses which squeezed the image in a 2:1 ...