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VistaVision could be shown at widescreen aspect ratios between 1.66 and 2.00:1. VistaVision could be (and most often was) further printed down to standard vertical 35 mm reels, keeping its 1.66:1 widescreen aspect ratio, which meant that exhibitors did not need to purchase additional projection equipment, as was often required for CinemaScope.
Stereo Realist Red Button viewer with slides. The Realist uses standard 135 film.The unusual proportions of the slides (the image was 5 sprockets wide [5]) became the standard for 3-D slides, and is known as "5P" or "Realist Format".
The Widelux is a fully mechanical swing-lens panoramic camera first developed in Japan in 1958, [2] by Panon Camera Shoko. There are both 35mm and medium-format models. Instead of a shutter, the camera has a slit that exposes the film as the lens pivots on a horizontal arc. This pivot allows for some distortion effects not available with ...
The Millennium DXL is the first camera to capture 4K anamorphic at 21 megapixels. With the 8K HDR sensor, this camera is optimized for Panavision large format lenses, including the Sphero 65, System 65, Super Panavision 70, Ultra Panavision 70, and the new Primo 70 and Primo Artiste (2017) wirelessly motorized lenses. Millenium Digital XL2 (2018)
Mitchell R35 camera - a pin-registered, hand-holdable and tripod-mountable reflex 35mm camera with multiple magazine mounting positions and an available sound blimp. Proprietary R35 lens mount. Succeeded by the R35R (industry-standard BNCR mount) and the R35RC (BNCR mount and crystal-controlled motor). Mitchell NCR/BNCR camera - Reflex version ...
The Leica minilux is the first in a series of four luxury titanium-clad point and shoot cameras that were produced by Leica Camera starting from 1995; it is equipped with a high-quality lens and body to compete with similar premium compact cameras produced during the Japanese bubble-economy era, including the Contax T line, Konica Hexar, Nikon 28Ti/35Ti, Minolta TC-1, Ricoh GR series, and ...
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