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The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, which first appeared in the 1796 novel Siebenkäs by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish ...
In fiction and mythology, a doppelgänger is often portrayed as a ghostly or paranormal phenomenon and usually seen as a harbinger of bad luck. Other traditions and stories equate a doppelgänger with an evil twin.
A doppelgänger [a] (/ ˈ d ɒ p əl ɡ ɛ ŋ ər,-ɡ æ ŋ-/ DOP-əl-gheng-ər, -gang-), sometimes spelled doppelgaenger or doppelganger, is a ghostly double of a living person, especially one that haunts its own fleshly counterpart.
Cryptic crossword clues consist typically of a definition and some type of word play. Cryptic crossword clues need to be viewed two ways. One is a surface reading and one a hidden meaning. [28] The surface reading is the basic reading of the clue to look for key words and how those words are constructed in the clue. The second way is the hidden ...
Horror loves evil twins and doubles because of concepts like the uncanny and otherness. They also provide memorable images for movie makers.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George's friend. Before Robert can be arrested, he disappears.
The Gothic genre uses the Gothic double: a literary motif, which is described as the protagonist having a double, alter ego, or doppelgänger interpreted between Jane Eyre and Bertha Mason, where Bertha represents the other side of Jane and vice versa. [47]
Thomas Mann said of Fyodor Dostoevsky's The Double: A Petersburg Poem, which explores a similar doppelgänger theme, "by no means improved on Edgar Allan Poe's 'William Wilson,' a tale that deals with the same old romantic motif in a way far more profound on the moral side and more successfully resolving the critical [theme] in the poetic". [4]
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