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21 Bridges grossed $28.5 million in the United States and Canada, and $21.4 million in other territories, for a worldwide total of $49.9 million, against a production budget of $33 million. [ 2 ] In the United States and Canada, the film was released alongside A Beautiful Day in the Neighborhood and Frozen II , and was projected to gross $10 ...
The series is based on the 1980 Philippine film Kastilyong Buhangin. Directed by FM Reyes and Raymond B. Ocampo, it stars Jericho Rosales , Arci Muñoz and John Estrada . It aired on the network's Primetime Bida line up and worldwide on TFC from September 19, 2016 to January 6, 2017, replacing Born for You [ 2 ] [ 3 ] [ 4 ] and was replaced by ...
How excited James Brown would have been for “21 Bridges.” Take you to bridge? It’s a just-good-enough New York crime thriller, made with sufficient slinky shadows and leading-man charisma to ...
Ikaw at Ako at ang Ending: Viva Films: Irene Emma Villamor (director); Kim Molina, Jerald Napoles: Nang Dumating si Joey: Blank Pages Productions Arlyn dela Cruz (director); Allan Paule, Ernie Garcia, Rash Juzen 19: A Faraway Land: Mavx Productions Inc. / Netflix: Veronica Velasco (director); Paolo Contis, Yen Santos: 21: Sin: Mel Magno Film ...
Filipinas is a 2003 Philippine family drama film directed by Joel Lamangan. The film stars Armida Siguion-Reyna , Maricel Soriano , Richard Gomez , Aiko Melendez , Dawn Zulueta , Victor Neri and Wendell Ramos .
Dubbed as "a story like no other", Bridges of Love is a soap opera directed by Dado Lumibao of the critically acclaimed melodrama, The Legal Wife, and Richard Somes of the highly successful horror-fantasy drama, Imortal. It is written by G3 San Diego from Magkaribal, and head writer Benjamin Lingan from Apoy sa Dagat. Filming of the series ...
Walang Kapalit, sung by Sharon Cuneta, was the theme song for the film. It was composed and originally sung by Rey Valera from his 1981 album of the same title. [ 5 ] [ 7 ]
Isah Red of the Manila Standard gave Saranggola a positive review, calling the film thematically challenging. He praises director Gil Portes for focusing on how the crime affects the relationship of the father and son, in the form of Jan Svěrák's Kolya. Though he considers the film's premise as encouraging, he criticizes the film's pacing. [4]
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