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Allusion. Allusion is a figure of speech, in which an object or circumstance from an unrelated context is referred to covertly or indirectly. [1][2] It is left to the audience to make a direct connection. [3] Where the connection is directly and explicitly stated (as opposed to indirectly implied) by the author, it is instead usually termed a ...
The biblical references in each of Shakespeare's plays are then analyzed, as are his references to the Prayer Book and the homilies. The question of what constitutes a valid biblical reference is also discussed." Shaheen, Naseeb. Biblical References in Shakespeare’s Plays Newark: University of Delaware Press, 2011, ISBN 978-1-61149-358-0.
Intertextuality. Intertextuality is the shaping of a text's meaning by another text, either through deliberate compositional strategies such as quotation, allusion, calque, plagiarism, translation, pastiche or parody, [1][2][3][4][5] or by interconnections between similar or related works perceived by an audience or reader of the text. [6]
The Book of the Kings of Judah and Israel (also called The Book of the Kings of Israel and Judah); referenced in 2 Chronicles 16:11, [21] 2 Chronicles 27:7 [22] and 2 Chronicles 32:32. [23] May be the same as 1 and 2 Kings. The Book of Jehu (also called The Book of Jehu the son of Hanani) could be a reference to 1 Kings 16:1–7. Referenced in ...
Christ figure. A Christ figure, also known as a Christ-Image, is a literary technique that the author uses to draw allusions between their characters and the biblical Jesus. More loosely, the Christ figure is a spiritual or prophetic character who parallels Jesus, or other spiritual or prophetic figures. In general, a character should display ...
The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Paradise), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos. Set at Easter 1300, the poem describes the living poet's journey through hell ...
Intertextual production of the Gospel of Mark. Papyrus 45 (c. AD 250), showing Mark 8:35–9:1. The intertextual production of the Gospel of Mark is the viewpoint that there are identifiable textual relationships such that any allusion or quotation from another text forms an integral part of the Markan text, even when it seems to be out of context.
Ernest Dowson, "Non sum qualis eram bonae sub regno Cynara". The Grapes of Wrath. John Steinbeck. Julia Ward Howe, "Battle Hymn of the Republic". Great Work of Time. John Crowley. Andrew Marvell, "An Horatian Ode upon Cromwell's Return from Ireland". The Green Bay Tree. Louis Bromfield.