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Coromandel lacquer, probably originally from a screen, worked up into a cabinet for medals in France in the 1720s. Coromandel lacquer is a type of Chinese lacquerware, latterly mainly made for export, so called only in the West because it was shipped to European markets via the Coromandel coast of south-east India, where the Dutch East Indies Company (VOC) and its rivals from a number of ...
Chinese traditional furniture technology developed to the Yongzheng and Qianlong periods of the Qing dynasty, forming a Qing style school different from Ming style furniture. The Qing dynasty experienced the Kangxi, Yongzheng and Qianlong periods, and there was a luxurious and decadent trend of blindly pursuing richness, luxury, and red tape in ...
Chinese lacquerware table, 1425-1436 V&A Museum no. FE.6:1 to 4-1973 This carved lacquerware table in the Victoria and Albert Museum in London is from the Ming dynasty (1368–1644). It is unique in shape and decoration and is one of the most important objects from the period.
Lai rot nam (Thai: ลายรดน้ำ) or gilded black lacquer is a technique in the traditional Thai decorative arts consisting of the application of black lacquer with gold inlay to surfaces. It was used in the decoration of wooden furniture, especially cabinets, as well as door and window panels, in palaces and Buddhist temples.
The term "Japanning" in the 17th century is a term for the technique used by Europe to emulate Asian lacquer, derived from the then famous Japanese lacquer. The general characteristic of Japanese lacquerware is the widespread use of various Maki-e techniques compared to other countries.
Georgian japanned tin tea tray—severely worn—black lacquer and gilt made in Birmingham, UK. Japanning is a type of finish that originated as a European imitation of East Asian lacquerwork. It was first used on furniture, but was later much used on small items in metal. The word originated in the 17th century.
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