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In ambiguous images, detecting edges still seems natural to the person perceiving the image. However, the brain undergoes deeper processing to resolve the ambiguity. For example, consider an image that involves an opposite change in magnitude of luminance between the object and the background (e.g.
And these entries should be repeated in the appropriate sections. "Loose" entries at the top of a page or section aren't accounted for in the table of contents, so readers relying on the ToC can easily miss them. If all the "other" entries in a section can be described by a plural noun, the words "uses in" should be avoided, e.g.:
Inline cleanup tag marking ambiguous phrasing Template parameters [Edit template data] Parameter Description Type Status reason reason reason the tag is marked as ambiguous Line optional Month and year date no description Auto value {{subst:CURRENTMONTHNAME}} {{subst:CURRENTYEAR}} Date suggested See also {{ Definition }} – for ambiguous words. {{ Vague }} for specific words or statements ...
When using these templates, be specific: mark individual phrases, sentences, and sections in preference to entire articles. Also be sure to leave specific suggestions for improvement on the article's talk-page. The templates' pages will almost always have additional documentation on usage and parameters.
If an article overall has so many images that they lengthen the page beyond the length of the text itself, you can use a gallery; or you can create a page or category combining all of them at Wikimedia Commons and use a relevant template ({}, {{Commons category}}, {{Commons-inline}} or {{Commons category-inline}}) to link to it instead, so that ...
An accidental viewpoint (i.e. eccentric or fixed viewpoint) is a singular position from which an image can be perceived, creating either an ambiguous image or an illusion. The image perceived at this angle is viewpoint-specific, meaning it cannot be perceived at any other position, known as generic or non-accidental viewpoints.
Animation of a half-turn ambigram of the word ambigram, with 180-degree rotational symmetry [1]. An ambigram is a calligraphic composition of glyphs (letters, numbers, symbols or other shapes) that can yield different meanings depending on the orientation of observation.
A version of Rubin's vase. The Rubin vase (sometimes known as Rubin's vase, the Rubin face or the figure–ground vase) is a famous example of ambiguous or bi-stable (i.e., reversing) two-dimensional forms developed around 1915 by the Danish psychologist Edgar Rubin.