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Hysterical realism [1] is a term coined in 2000 by English critic James Wood to describe what he sees as a literary genre typified by a strong contrast between elaborately absurd prose, plotting, or characterization, on the one hand, and careful, detailed investigations of real, specific social phenomena on the other.
It is Powers' twelfth novel. The book is about nine Americans whose unique life experiences with trees bring them together to address the destruction of forests. Powers was inspired to write the work while teaching at Stanford University, after he encountered giant redwood trees for the first time. [1] The Overstory was a contender for multiple ...
Sequoioideae, commonly referred to as redwoods, is a subfamily of coniferous trees within the family Cupressaceae, that range in the northern hemisphere. It includes the largest and tallest trees in the world.
This is a coast redwood in Big Basin Redwoods State Park with a rare anomaly that has left its bark looking wavy or curly. This is unrelated to the fire that burned 97% of the park in 2020.
The streams were filled with silt and wood shavings as the forests were cleared. Today, many portions of Redwood and San Leandro Creeks have undergone extensive downcutting. [4] Despite the damage sustained by the East Bay Redwoods in the 19th century, today they host a number of plant species endemic to the Redwood Forest.
Common names include coast redwood, coastal redwood and California redwood. It is an evergreen , long-lived, monoecious tree living 1,200–2,200 years or more. [ 4 ] This species includes the tallest living trees on Earth, reaching up to 115.9 m (380.1 ft) in height (without the roots ) and up to 8.9 m (29 ft) in diameter at breast height .
Julia Lorraine Hill (born February 18, 1974), best known as Julia Butterfly Hill, is an American environmental activist and tax redirection advocate. She lived in a 200-foot (61 m)-tall, approximately 1,000-year-old California redwood tree for 738 days between December 10, 1997, and December 18, 1999.
It is one of novelist David Mitchell's favorite pieces of writing. [10] The poem's final line has been hailed as one of the greatest lines in modern poetry. [2] [1] [3] [6] Although there were degrees of polarization about the line's abrasiveness, it has been credited as influential in the development of deep image and modernist poetry. [11]