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The discography of Blue October, an American rock band, consists of thirteen studio albums, five live albums, two video albums, two extended plays, twenty-five singles and twenty-two music videos. Albums
At the time of its release, press reported that the song was the title track to the band's forthcoming thirteenth studio album, with the caveat that the album title was tentative [26] [27] [28] In the summer of 2024 Blue October embarked on a nationwide triple headliner tour with Switchfoot and Matt Nathanson, playing mostly outdoor venues and ...
The album was recorded during the winter of 2017–2018 at Justin Furstenfeld's Up/Down Studios. Although Furstenfeld had co-produced every Blue October album since 2006's Foiled, I Hope You're Happy marks the first Blue October album which Furstenfeld completely produced without any outside co-producers. The first single from the album, the ...
It should only contain pages that are Blue October albums or lists of Blue October albums, as well as subcategories containing those things (themselves set categories). Topics about Blue October albums in general should be placed in relevant topic categories .
Home is the eighth studio album by Blue October. [3] The album was recorded between August and November 2015 at Orb Studios in Austin, Texas and Justin Furstenfeld's home studio Crazy Making Studio. Long-time collaborator, Tim Palmer, co-produced and mixed the album. After its first week of sales, Home charted at number 10 on the Building Album ...
The 20 most underrated albums ranked, from Swamp Dogg’s Rat On! to Kirsty McColl’s Kite ... October 19, 2024 at 1:00 AM ... to Out of the Blue (1977) is as good a four-album run as any of its ...
Blue October’s highest chart-topping single, “Hate Me” (released in January 2006 off the band’s fourth studio album, Foiled) was written when a 26-year-old Justin was in the grips of ...
Hüsker Dü’s first studio album is a blur, speeding through 12 songs in 19 minutes. The title track’s chorus and the guitar solo on “Target” jump out as early glimpses of Mould’s genius ...
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