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CIL 4.5296 (or CLE 950) [a] is a poem found graffitied on the wall of a hallway in Pompeii.Discovered in 1888, it is one of the longest and most elaborate surviving graffiti texts from the town, and may be the only known love poem from one woman to another from the Latin world.
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...
The Apostrophe to Vincentine" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was first published before 1923 and is therefore in the public domain according to Librivox. It was first published before 1923 and is therefore in the public domain according to Librivox.
At the beginning of the twentieth century, Anyte's poetry was highly thought of by the Imagist poets, with Richard Aldington describing her in his translation of Greek and Latin poetry as the "woman-Homer". [33] Modern scholars have been more critical of Anyte's work, considering her subjects frivolous. [3]
Historically, literature has been a male-dominated sphere, and any poetry written by a woman could be seen as feminist. Often, feminist poetry refers to that which was composed after the 1960s and the second wave of the feminist movement. [1] [2] This list focuses on poets who take explicitly feminist approaches to their poetry.
Emilia Lanier (1569–1645), among first Englishwomen to publish a volume of original poems and seek patronage; Anne Ley (c. 1599–1641), English writer, teacher, and polemicist; Anne de Marquets (c. 1533–1588), French poet; Camille de Morel (1547–1611), French poet and writer; Isabella di Morra (c. 1520–1546), Italian poet of the ...
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Eighteenth century advocate for women's rights Mary Wollstonecraft (1797–1851), put great emphasis on the power of the poetic imagination as a liberator tool, and many nineteenth century British women writers were inspired by Wollstonecraft to use poetry to enter public debates about gender roles, poverty, and slavery.