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He also painted the Scourging of Christ. In 1620 for the Church of Santa Maria di Canepanova in Pavia he painted two canvases depicting Debora who has the army gather and Rachel with Jacob at the well and, still in the same city, Saint Teresa for the church of Santa Maria delle Grazie. [2]
Stained glass from Dalhem Church, Sweden (c. 1240) The Flagellation of Christ, in art sometimes known as Christ at the Column or the Scourging at the Pillar, is an episode from the Passion of Jesus as presented in the Gospels. As such, it is frequently shown in Christian art, in cycles of the Passion or the larger subject of the Life of Christ.
Ercole Procaccini the Elder (1520 – 1595) was an Italian painter of the Renaissance period, mainly active in Milan. He was born in Bologna . He painted an Annunciation for the church of San Benedetto, a Conversion of St. Paul and a Christ in the Garden for San Giacomo Maggiore , a St. Michael defeating the rebel Angels for San Bernardo, and a ...
The Scourging of Christ, Web Gallery of Art (English) Cristo flagellato, Galleria Borghese (Italian) Bildindex der Kunst und Architektur PID: 0000237108 ; Smartify artwork ID: titian-the-scourging-of-christ ; Bildindex der Kunst und Architektur ID (deprecated): 08014272 ; Source/Photographer: Web Gallery of Art: Image Info about artwork
Procaccini is the name of a prominent family of artists from the Renaissance and Baroque periods, active mainly in Bologna and Milan. They include: They include: Ercole Procaccini the Elder (1520 – after 1591), father of Camillo, Giulio Cesare, and Carlo Antonio
The Scourging of Christ; after Diepenbeeck. Christ crowned with Thorns; after the same. The Discovery of the true Cross by St. Helena; after P. van Lint. Theodosius carrying the true Cross before St. Ambrose; after the same. Christ bound to the Pillar, with Angels holding the Instruments of the Passion; after J. Thomas.
In the church of St. James is a picture by him of 'St. Catharine refusing to worship the False Gods'. Several other works by this master are in the churches and convents of his native city, all of which are painted in the style of Maratti.
Negroni was a pupil of the painters Giovanni Antonio D’Amato and Marco Cardisco, and strongly influenced by Polidoro da Caravaggio.He painted an Adoration of Magi (1541) and Scourging of Christ for the church of Santa Maria Donna Regina Vecchia in Naples.