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Sikh music, also known as Gurbani Sangeet (Gurmukhi: ਗੁਰਬਾਣੀ ਸੰਗੀਤ, romanized: Gurabāṇī sagīta; meaning music of the speech of wisdom), and as Gurmat Sangeet (Gurmukhi: ਗੁਰਮਤਿ ਸੰਗੀਤ, romanized: Guramati sagīta; meaning music of the counsel or tenets of the Guru), or even as Shabad Kirtan (Gurmukhi: ਸ਼ਬਦ ਕੀਰਤਨ, romanized ...
The instrument can be rested between or on the knees while the player kneels, or on the floor just in front of the player, with the neck of the instrument leaning on the left shoulder of the player. It is played using a bow in the right hand, with the other hand moving along the strings above the frets longitudinally. [ 8 ]
These instruments were most popular during eighteenth and nineteenth centuries. Nakara (Indian drum) is one among them. It is the variant of Murasu instrument. In famous temples this pair of musical instrument is either tied on the back of a bull or an elephant and the animal taken before the procession.
Nagara are also played with sticks. Today, this instrument is usually used to accompany the shehnai or "Indian oboe", an indispensable component of any North Indian wedding. It was also used during Guru Gobind Singh Ji’s time as a war drum (first mentioned in the Battle of Banghani). This was to infuse pride into the Sikh armies while charging.
The way the instrument is played also differs, as with the Tabla a striking motion is used to produce a sharp sound, but an open hand, soft motion is used to produce sound on a Jori. [5] The Tabla bass drum is made from metal, whereas both Jori drums are made of tun wood, which is classed as the best quality wood for musical instruments.
Rababi (Gurmukhi: ਰਬਾਬੀ) is a term used to refer to a player of the rabab instrument.. In the Sikh liturgical tradition, there are three types of musicians—rababis, ragis, and dhadhis, all of which flourished during the period of the gurus.
This instrument is often used in popular Punjabi folk songs, Bhangra music and the Sikh religious music known as Gurbani Kirtan. The player of the chimta is able to produce a chiming sound if he holds the joint of the instrument in one hand and strikes the two sides of the chimta together.
The dilruba was created some 300 years ago by the 10th Sikh guru, Guru Gobind Singh, who based it on the much older, and heavier, Taus. [2] [3] This made it more convenient for the Khalsa, the Sikh army, to carry the instrument on horseback. [1] According to the folklore, the esraj was created by Ishwari Raj, a musician who lived in Gayadam.