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Music of Irish Catholic Immigrants in the Antebellum United States. University of Notre Dame Press. ISBN 0-268-01116-8. Moloney, Mick (2002). Far From the Shamrock Shore: The Story of Irish-American Immigration Through Song. Crown. ISBN 0-609-60720-0. O'Connor, Nuala (1991). Bringing it All Back Home: the influence of Irish music. BBC Books.
Print/export Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... Celtic music in the United States; Celtic Women International
Print/export Download as PDF; Printable version; ... Celtic music in the United States This page was last edited on 9 April 2024, at 12:49 (UTC). Text ...
Print/export Download as PDF; Printable version; ... Celtic music in the United States This page was last edited on 8 February 2024, at 11:53 (UTC). ...
Celtic music means two things mainly. First, it is the music of the people that identify themselves as Celts. Secondly, it refers to whatever qualities may be unique to the music of the Celtic nations. Many notable Celtic musicians such as Alan Stivell and Paddy Moloney [3] claim that the different Celtic music genres have a lot in common. [1 ...
Printable version; In other projects ... Pages in category "American Celtic music groups" ... Celtic Thunder (United States)
Cape Breton fiddling is a regional violin style which falls within the Celtic music idiom. The more predominant style in Cape Breton Island's fiddle music was brought to North America by Scottish immigrants during the Highland Clearances. [1]
Formal cooperation between the Celtic nations is active in many contexts, including politics, languages, culture, music and sports: The Celtic League is an inter-Celtic political organisation, which campaigns for the political, language, cultural and social rights, affecting one or more of the Celtic nations. [26] [non-primary source needed]