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Gérard Genette (French pronunciation: [ʒeʁaʁ ʒənɛt]; 7 June 1930 – 11 May 2018) was a French literary theorist, associated in particular with the structuralist movement and with figures such as Roland Barthes and Claude Lévi-Strauss, from whom he adapted the concept of bricolage.
Palimpsests: Literature in the Second Degree is a 1982 book by French literary theorist Gérard Genette. Over the years, the book's methodological proposals have been confirmed as effective operational definitions , and have been widely adopted in literary criticism terminology.
Paratextuality is the relation between one text and its paratext that surrounds the main body of the text. Examples are titles, headings, and prefaces. Architextuality is the designation of a text as a part of a genre or genres; Metatextuality is the explicit or implicit critical commentary of one text on another text
In literary interpretation, paratext is material that surrounds a published main text (e.g., the story, non-fiction description, poems, etc.) supplied by the authors, editors, printers, and publishers. These added elements form a frame for the main text, and can change the reception of a text or its interpretation by the public.
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Songs Inspired by Literature, Chapter One: Justin Wells: The Odyssey: Homer [29] "Lay Down" Bursting at the Seams: Strawbs: The 23rd Psalm of the Book of Psalms from the Hebrew Bible and the Christian Old Testament [132] "The Legend of Enoch Arden" Songs Inspired by Literature, Chapter One: Diane Zeigler "The Legend of Enoch Arden" Alfred Lord ...
The first six volumes of The Umbrella Academy relays the origin stories of the Hargreeves siblings. When 47 children around the world are born to women who previously showed no signs of pregnancy ...
In narratology, focalisation is the perspective through which a narrative is presented, as opposed to an omniscient narrator. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing ...
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