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Diamond Cut Audio Restoration Tools (DC-Art) was originally a private venture by R&D engineer Craig Maier and software engineer Rick Carlson. Developed in the early 1990s, the original concept was conceived in an attempt to preserve the extensive Edison Lateral collection of test pressing recordings held at the Edison National Historic Site in West Orange, New Jersey.
The sound card typically converts analog audio signals into a digital form, and digital back to analog audio when playing it back; it may also assist in further processing of the audio. The software controls all related hardware components and provides a user interface to allow for recording, editing, and playback.
Manuals are available as HTML online, or indexed PDF. Additionally manuals can be remixed so anyone can create their own manual and export to indexed PDF, HTML (ZIP/tar) or an 'Ajax' include. In fall 2007, Floss manuals was awarded a 15,000 Euro prize by the Dutch Digital Pioneer fund. [2] It has also been financially supported by Google [3 ...
Digital audio workstation software, such as Pro Tools, Logic, and many others, have gained popularity among the vast array of contemporary music technology in recent years. Such programs allow the user to record acoustic sounds with a microphone or software instrument, which may then be layered and organized along a timeline and edited on a ...
Digital audio in recording applications is stored on audio-specific technologies including CD, DAT, Digital Compact Cassette (DCC) and MiniDisc. Digital audio may be stored in a standard audio file formats and stored on a Hard disk recorder, Blu-ray or DVD-Audio. Files may be played back on smartphones, computers or MP3 player.
Digital audio compact discs (using PCM) were introduced in 1982. Starting in 1985, the medium was adapted for the storage of computer data via the Yellow Book CD-ROM standard and the High Sierra Format (which evolved in ISO 9660). The Macintosh 128K (1984) and Atari ST (1985) could produce digital audio via software. Without dedicated audio ...
A lossless audio coding format reduces the total data needed to represent a sound but can be de-coded to its original, uncompressed form. A lossy audio coding format additionally reduces the bit resolution of the sound on top of compression, which results in far less data at the cost of irretrievably lost information.
Modular III was a modular synthesizer running on DSPs (digital signal processors, a type of computer chip designed for signal processing), as part of the software environment provided for the Creamware 'Scope' line of sound cards. It had modules covering many aspects of sound synthesis, designed by Creamware Audio GmbH and by other designers.