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Neil Sedaka 8, Eruption, Barry Blue, Shadows, Jokers, Original Love, Tanja Thomas, Eleanor Bodel, Ali Sommar, the Spotniks, the Cliffters, Ivy Christie, Norma Jean Hank Hunter 1959 Only True Love Can Survive Billy Sills Larry Kolber, Billy Sills Only You Could Do That to My Heart Peggy March Tony Powers 1964 Our Day Will Come Frankye Kelly
The Scandinavian Mountains create a rain shadow for lowland areas east of the mountain chain and prevents the Oceanic climate from penetrating further east; thus Bergen and a place like Brekke in Sogn, west of the mountains, receive an annual precipitation of 2,250 millimetres (89 in) and 3,575 millimetres (141 in), respectively, [8] while Oslo ...
"The Young Ones" (Sid Tepper, Roy C. Bennett) - Cliff and the Shadows "Do You Wanna Dance" (Bobby Freeman) - Cliff and the Shadows "The Day I Met Marie" (Hank Marvin) - Cliff and the Shadows "Shadoogie" (Marvin, Bruce Welch, Jet Harris, Tony Meehan) - The Shadows "Atlantis" (Jerry Lordan) - The Shadows "Nivram" (Marvin, Welch, Harris) - The Shadows
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"We Work the Black Seam" was the first track on the second side of the vinyl and cassette release of The Dream of the Blue Turtles, released in June 1985, [26] and the sixth out of 10 tracks overall, between "Shadows in the Rain" and "Consider Me Gone". At 5 minutes and 42 seconds long, it is the album's longest track.
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
The instrumentation consists of two alternating minor bass-chords, played at the very bottom of the pitch-range of an electric-guitar. The guitar is minor-open-tuned. For most of the song, the two bass-chords are played in descending order, but for the alternative sections, two different bass-chords are played in ascending order.