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B-flat major is a major scale based on B ... Its key signature has two flats. Its relative minor is G minor and its parallel minor is B-flat minor.
In all major scales with flat key signatures, the tonic in a major key is a perfect fourth below the last flat. When there is more than one flat, the tonic is the note of the second-to-last flat in the signature. [11] In the major key with four flats (B ♭ E ♭ A ♭ D ♭), for example, the second to last flat is A ♭, indicating a key of A ...
The pattern of whole and half steps characteristic of a major scale. The intervals from the tonic (keynote) in an upward direction to the second, to the third, to the sixth, and to the seventh scale degrees of a major scale are called major. [1] A major scale is a diatonic scale. The sequence of intervals between the notes of a major scale is:
Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ... Hungarian major scale on C. Play ⓘ 1 ♯ 2 3 ...
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
2 flats 17 A♭ major: 4 flats 18 Either G# minor: 5 sharps Alkan wrote a piece in A♭ minor, and Brahms a fugue in this key, but most composers have preferred G# minor. or A♭ minor: 7 flats 19 A major: 3 sharps 20 A minor: No sharps or flats 21 B♭ major: 2 flats 22 Either B♭ minor: 5 flats No well-known sets of 24 pieces include A# minor.
However, in common guitar tabs notation, a minor key is designated with a lowercase "m". For example, A-minor is "Am" and D-sharp minor is "D ♯ m"). The small interval between equivalent notes, such as F-sharp and G-flat, is the Pythagorean comma .
A-flat major was the flattest major key to be used as the home key for the keyboard and piano sonatas of Domenico Scarlatti, Joseph Haydn and Ludwig van Beethoven, with each of them using the key for two sonatas: Scarlatti's K. 127 and K. 130, Haydn's Hob XVI 43 and 46, and Beethoven's Op. 26 and Op. 110, while Franz Schubert used it for one ...