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Perpetua is a serif typeface that was designed by the English sculptor and stonemason Eric Gill for the British Monotype Corporation.Perpetua was commissioned at the request of Stanley Morison, an influential historian of printing and adviser to Monotype around 1925, when Gill's reputation as a leading artist-craftsman was high. [1]
The font in Winchester Cathedral – the "most famous" of the Tournai fonts in England [14] – illustrates scenes from the life of St Nicholas of Myra on two faces, with three roundels of birds on the third and a roundel of a quadruped with birds on either side on the fourth. [14] It is the only font in the cathedral, and is located in the nave.
The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
Copperplate Gothic is a typeface designed by Frederic W. Goudy and first produced by American Type Founders (ATF) beginning in 1901.. While termed a "Gothic" (another term for sans-serif), the face has small glyphic serifs that act to emphasize the blunt terminus of vertical and horizontal strokes.
These include instructions, hiragana fonts written forward and in mirror-writing (as required on the working surface of a seal), a slim in tou chisel, two or three grades of sandpaper, slim marker pen (to draw the design on the stone), and one to three mottled, inexpensive, soft square green finger-size stones.
The ITC Stone font family is a collection of typefaces designed by Sumner Stone, a typeface designer and graphic artist. It was created in 1987 with Bob Ishi when Stone was the Director of Typography at Adobe Systems. The font family includes fours different types: ITC Stone Serif, ITC Stone Sans, ITC Humanistic, and ITC Stone Informal.
In order to increase the legibility of Garamond, a common approach in typography is to increase text size such that the height of its lower-case characters (i.e., the absolute x-height of the font) matches that of Times New Roman, which counterbalances cost savings. Thomas Phinney, an expert on digital fonts, noted that the effect of simply ...
The Guinness World Records used Rockwell in some of its early-1990s editions. Informational signage at Expo 86 made extensive use of the Rockwell typeface. [9] Docklands Light Railway used a bold weight of this typeface in the late 1980s and early 1990s.