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For women, skirts became longer and the waist-line was returned up to its normal position. Other aspects of fashion from the 1920s took longer to phase out. Cloche hats remained popular until about 1933 while short hair remained popular for many women until late in the 1930s and even in the early 1940s. The Great Depression took its toll on the ...
The shayla, a black headscarf typically made of cotton, is used to conceal a woman's hair and neck. It is commonly worn even while at home. It is commonly worn even while at home. The ghashwa is a flowing, lightweight cotton fabric that fits over the abaya and shayla, used in public places to cover a woman's head. [ 3 ]
William "Dave" Evans (July 24, 1950 - June 26, 2017) was a tenor singer, banjo player, composer, and bluegrass band leader. He was noted for his powerful tenor vocal range and for his style which bridged traditional and contemporary bluegrass. [3]
Until about 1950, apart from short-sleeved, open-necked sports wear, day shirts always had a long sleeve with cuffs, closed by links or buttons, and with a neck-band with separate collar fastened by studs, or an attached collar. The attached collar is now dominant. [14]
Shave and a Haircut" and the associated response "two bits" is a seven-note musical call-and-response couplet, riff or fanfare popularly used at the end of a musical performance, usually for comedic effect.
The cümbüş is shaped like an American banjo, with a spun-aluminum resonator bowl and skin soundboard. Although originally configured as an oud, the instrument has been converted to other instruments by attaching a different set of neck and strings. [2] The standard cümbüş is fretless, but guitar, mandolin and ukulele versions have fretboards.
Karen J. Dalton (born Jean Karen Cariker; July 19, 1937 – March 19, 1993) was an American country blues singer, guitarist, and banjo player. She was associated with the early 1960s Greenwich Village folk music scene, particularly with Fred Neil, the Holy Modal Rounders, and Bob Dylan. [1]
Earl Scruggs did not invent three-finger banjo playing; in fact, he said the three-finger style was the most common way to play the five-string banjo in his hometown in western North Carolina. [8] An early influence was a local banjoist, DeWitt "Snuffy" Jenkins , who plucked in a finger style.