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"Save Tonight" is a song written and performed by Swedish rock musician Eagle-Eye Cherry, released on 7 October 1997 as the lead single from his debut album, Desireless (1997). It is the album's opening track and gained substantial radio success, reaching number three in Ireland, number five in the United States, number six in the United ...
Swift re-recorded "Love Story" and titled it "Love Story (Taylor's Version)". An excerpt of the re-recording was used in a Match.com advertisement in December 2020. [ 206 ] " Love Story (Taylor's Version)" was the first re-recorded track she released; [ 207 ] it was made available for download and streaming on February 12, 2021, preceding the ...
There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).
Swift's impact continues to grow in a very meaningful way.
Like she always does, Taylor Swift has been leaving secret messages for fans ahead of the release of her 11th album, The Tortured Poets Department — and even dropped a few new lyrics this time ...
Taylor Swift and Travis Kelce proved they have a fairy tale type of love with a post-Super Bowl singalong to some of her biggest hits.. Kelce, 34, and the Kansas City Chiefs celebrated their Super ...
Taylor Alison Swift was born on December 13, 1989, in West Reading, Pennsylvania. [1] She is named after the singer-songwriter James Taylor. [2] [3] Her father, Scott Kingsley Swift, was a stockbroker for Merrill Lynch, and her mother, Andrea Gardner Swift (née Finlay), worked as a mutual fund marketing executive. [4]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...