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The ride cymbal is a cymbal of material sustain used to maintain a beat in music. [1] A standard in most drum kits , the ride's function is to maintain a steady pattern, sometimes called a ride pattern , rather than provide the accent of a crash cymbal .
Straight stands Five cymbal stand heads showing the button and mounting bolt Exploded views showing various patterns of washers, sleeve and nut. The simplest free-standing cymbal stands consist of a metal tripod with two or three concentric tubes allowing height adjustment, and a button at the top to allow angle adjustment.
A crash/ride cymbal is a medium weight, slightly tapered cymbal, normally in the 18–22-inch (460–560 mm) range, designed to serve in a drum kit as both a crash and a ride cymbal. A ride/crash cymbal may be thought to be the same thing, but is actually different. Despite being similar in design and function to a crash/ride, it is slightly ...
A flat ride cymbal or flat top ride [1] (or often just flat ride) is a ride cymbal without a bell, originally developed by Paiste in collaboration with jazz drummer Joe Morello as part of their Formula 602 series in 1967. The most common size is 20" followed by 18", but larger examples exist: Paiste Formula 602 flatride
The swish cymbal and the pang cymbal are exotic ride cymbals originally developed and named as part of the collaboration between Gene Krupa and the Avedis Zildjian Company. The current Zildjian Swish Knocker is a redesign of their original swish, with more rivets, deeper bow and shallower bell, based on a cymbal made famous by Mel Lewis , [ 1 ...
Typically another cymbal is added, so there are separate ride and crash, either on two stands, or with the ride mounted on the bass drum to the player's right and the crash on a separate stand. The standard crash is a 16" diameter, and 18"–20" ride (20" being the most common).
The anatomy of the cymbal plays a large part in the sound it creates. [8] A hole is drilled in the center of the cymbal, which is used to either mount the cymbal on a stand or for tying straps through (for hand playing). The bell, dome, or cup is the raised section immediately surrounding the hole.
To do this, the percussionist uses a single-stroke roll on the outside edge of the cymbal, using soft mallets, one on each side. The terminology most commonly used to describe this technique is a suspended cymbal roll. At times, a score also calls for hitting the cymbal with a stick or scraping it with a triangle beater.
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