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Shakespeare added hundreds of new words to the English language, including many commonly used words and colorful expressions that we still use today.
Shakespeare introduced or invented countless words in his plays, with estimates of the number in the several thousands. Warren King clarifies by saying that, "In all of his work – the plays, the sonnets and the narrative poems – Shakespeare uses 17,677 words: Of those, 1,700 were first used by Shakespeare."
This category is for English phrases which were invented by Shakespeare, and older phrases which were notably used in his works. The main article for this category is William Shakespeare . Pages in category "Shakespearean phrases"
Rough-hew them how we will ... report me and my cause aright ... To tell my story. (Hamlet's dying request to Horatio)... The rest is silence. (Hamlet's last words) Now cracks a noble heart. Good night, sweet prince, And flights of angels sing thee to thy rest....so shall you hear Of carnal, bloody, and unnatural acts, Of accidental judgments ...
The phrase is attributed to William Shakespeare, who made the first known use of it in his 1606 play Antony and Cleopatra. [1] In the speech at the end of Act One in which Cleopatra is regretting her youthful dalliances with Julius Caesar she says, "...My salad days, / When I was green in judgment, cold in blood/To say as I said then!"
Early Modern English (sometimes abbreviated EModE [1] or EMnE) or Early New English (ENE) is the stage of the English language from the beginning of the Tudor period to the English Interregnum and Restoration, or from the transition from Middle English, in the late 15th century, to the transition to Modern English, in the mid-to-late 17th century.
The St Crispin's Day speech is a part of William Shakespeare's history play Henry V, Act IV Scene iii(3) 18–67. On the eve of the Battle of Agincourt , which fell on Saint Crispin's Day , Henry V urges his men, who were vastly outnumbered by the French, to imagine the glory and immortality that will be theirs if they are victorious.
Asserting Shakespeare's singular popularity throughout the world, Bloom proclaims him the only truly multicultural author. Repudiating the "social energies" to which historicists ascribed Shakespeare's authorship, Bloom pronounces his modern academic foes to be but "caricatures of Shakespearean energies". [3]