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Chandrakanta Santati is an epic fantasy adventure Hindi novel by Devaki Nandan Khatri. Published in 6 Volumes, it serves as the sequel to Chandrakanta , the first modern Hindi novel which was released in 1888.
A new serial named Kahani Chandrakanta Ki was started in 2011 on Sahara One TV Channel, based on Khatri's next novel in the Chandrakanta series named Chandrakanta Santati (story about Chandrakanta's sons) by the director Sunil Agnihotri, with same degree of deviations from the original Devki Nandan Khatri novel.
Chandrakanta, a 19th-century Hindi-language novel by Indian writer Devaki Nandan Khatri, and its titular heroine Chandrakanta Santati, a series of sequel novels revolving around Chandrakanta and its other main characters by Devaki Nandan Khatri; Chandrakanta, a 1956 Indian Hindi-language fantasy film by G. P. Sippy, based on the novel
Devaki Nandan Khatri passed away in 1913, leaving behind a collection of Hindi mystery novels that continue to captivate young readers. One of his notable works, 'Chandrakanta,' was transformed into a television series in the mid-90s, albeit with significant alterations to suit the television audience in terms of plot and characters. [7] '
Kahani Chandrakanta Ki (transl. Story of princess Chandrakanta) is an Indian fantasy television series based on Devaki Nandan Khatri's second novel Chandrakanta Santati. [1] The series premiered on Sahara One on 6 June 2011, and is produced by known television producer Sunil Agnihotri .
Download QR code; Print/export Download as PDF; Printable version; In other projects ... Chandrakanta Santati; A Chronicle of Ancient Sunlight;
Devaki Nandan Khatri, who at the beginning of the 20th century wrote novels including Chandrakanta and Chandrakanta Santati, was born in Muzaffarpur, Bihar. Writer and Buddhist scholar Mahapandit Rahul Sankrityayan was born in Uttar Pradesh but spent his life in the land of Buddha , i.e., Bihar. well known writer George Orwell was also born in ...
Babu Devaki Nandan Khatri's Chandrakanta and Chandrakanta Santati and Ratan Nath Dhar Sarshar's Fasana-e-Azad are only the two most stellar examples of this genre. [20] Chandrakanta bears the direct influence of dastans as witnessed in the case of eponymous protagonist Chandrakanta who is trapped in a tilism and the presence of notable ayyars.