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Caput mortuum (plural capita mortua; literally "dead head") is a Latin term used in alchemy to signify a useless substance left over from a chemical operation such as sublimation and the epitome of decline and decay (alternatively called nigredo).
Mummy brown, also known as Egyptian brown or Caput Mortuum, [1]: 254 [2] was a rich brown bituminous pigment with good transparency, sitting between burnt umber and raw umber in tint. [3] The pigment was made from the flesh of mummies mixed with white pitch and myrrh.
Caput mortuum (Latin for 'dead head', and variously spelled caput mortum or caput mortem), also known as cardinal purple, is the name given to a purple variety of hematite iron oxide pigment, used in oil paints and paper dyes. Due to the cultural significance of its deep purple colour, it was very popular for painting the robes of religious ...
For Carl Jung, "the rediscovery of the principles of alchemy came to be an important part of my work as a pioneer of psychology". [3] As a student of alchemy, he (and his followers) "compared the 'black work' of the alchemists (the nigredo) with the often highly critical involvement experienced by the ego, until it accepts the new equilibrium brought about by the creation of the self."
In alchemy, the Magnum Opus or Great Work is a term for the process of working with the prima materia to create the philosopher's stone. It has been used to describe personal and spiritual transmutation in the Hermetic tradition , attached to laboratory processes and chemical color changes, used as a model for the individuation process, and as ...
Alchemy has had a long-standing relationship with art, seen both in alchemical texts and in mainstream entertainment. Literary alchemy appears throughout the history of English literature from Shakespeare [142] to J. K. Rowling, and also the popular Japanese manga Fullmetal Alchemist. Here, characters or plot structure follow an alchemical ...
In alchemy, the term chrysopoeia (from Ancient Greek χρυσοποιία (khrusopoiía) 'gold-making') refers to the artificial production of gold, most commonly by the alleged transmutation of base metals such as lead.
For many centuries, it was the most sought-after goal in alchemy. The philosopher's stone was the central symbol of the mystical terminology of alchemy, symbolizing perfection at its finest, divine illumination, and heavenly bliss. Efforts to discover the philosopher's stone were known as the Magnum Opus ("Great Work"). [3]