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"Tomorrow" is a show tune from the musical Annie, with music by Charles Strouse and lyrics by Martin Charnin, published in 1977. The number was originally written as "Replay" (The Way We Live Now) for the 1970 short film Replay , with both music and lyrics by Strouse.
"Tomorrow" is a song by the British–American band Wings from their debut album Wild Life, released in December 1971. It was written by band members Paul McCartney and Linda McCartney . In 1976, American singer David Cassidy had a hit with his cover version of the song.
"Tomorrow" is a song by Australian rock band Silverchair, which was released on 16 September 1994 on their debut extended play, also titled Tomorrow. The song was re-recorded and included on Frogstomp , the band's debut studio album, released six months later on 27 March 1995.
In 1989, Siedah Garrett wrote lyrics to the song, and it was recorded by Quincy Jones featuring Tevin Campbell on vocals for the album Back on the Block.The new version of the song spent one week at number one on the US R&B chart and peaked at number seventy-five on the US pop chart in June 1990. [1]
"Tomorrow Tomorrow" is a song by the Bee Gees written by Barry and Maurice Gibb. The song was originally intended to be recorded by Joe Cocker. [2] It was the first Bee Gees single released after Robin Gibb had quit the group which was now down to a trio featuring Barry Gibb, Maurice Gibb and drummer Colin Petersen.
"Tomorrow" is a song by American rapper GloRilla. It was released on July 15, 2022 as a single from Collective Music Group 's compilation album Gangsta Art (2022). It was written by the artist with Antonio Anderson Jr and produced by Macaroni Toni.
"Tomorrow" was released as the third single from Amanda's debut album I Am a Photograph in 1977. It is an uptempo disco song, written by Rainer Pietsch , with lyrics by Amanda Lear herself. The single was released by Ariola Records in most territories, by Polydor in Italy, and Nippon Columbia in Japan.
"Domani" (Italian for "tomorrow") is a 1955 song written by Ulpio Minucci with lyrics by Tony Velona. The melody is based on the intermezzo from the comic opera I Quattro Rusteghi by Ermanno Wolf-Ferrari. The most popular version of the song was recorded in 1955 by Julius LaRosa, released by Cadence Records as catalog number 1265. [1]