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The Proto-Renaissance begins with the professional life of the painter Giotto and includes Taddeo Gaddi, Orcagna, and Altichiero. The Early Renaissance style was started by Masaccio and then further developed by Fra Angelico, Paolo Uccello, Piero della Francesca, Sandro Botticelli, Verrocchio, Domenico Ghirlandaio, and Giovanni Bellini.
The Trecento is considered to be the beginning of the Italian Renaissance or at least the Proto-Renaissance in art history. Painters of the Trecento included Giotto di Bondone, as well as painters of the Sienese School, which became the most important in Italy during the century, including Duccio di Buoninsegna, Simone Martini, Lippo Memmi, Ambrogio Lorenzetti and his brother Pietro.
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
He worked during the Gothic and Proto-Renaissance period. [7] Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence". [8]
Maniera greca ("Greek style/manner") was the Italian term used at the time, and by Vasari and others; it is one of the first post-classical European terms for style in art. [4] Vasari was no admirer, defining the Renaissance as a rejection of "that clumsy Greek style" ("quella greca goffa maniera"); other Renaissance writers were similarly ...
The period is considered to be the beginning of the Italian Renaissance or at least the Proto-Renaissance in art history. Painters of the Trecento included Giotto di Bondone , as well as painters of the Sienese School , which became the most important in Italy during the century, including Duccio di Buoninsegna , Simone Martini , Lippo Memmi ...
Compared with the norms of medieval art, his works have more lifelike figural proportions and a more sophisticated use of shading to suggest volume. According to Italian painter and historian Giorgio Vasari, Cimabue was the teacher of Giotto, [2] the first great artist of the Italian Proto-Renaissance. However, many scholars today tend to ...
Nicola Pisano (active c, 1240s to 1278) was the leading sculptor of what Erwin Panofsky called "the classicizing Proto-Renaissance". His major works were sets of reliefs, especially those on the large raised pulpits of the pulpit in the Pisa Baptistery (dated 1260) and Siena Cathedral Pulpit .
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