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The Pardoner's confession is similar to that of the Wife of Bath in that there is a revelation of details buried within the prologue. Chaucer describes the Pardoner as an excellent speaker in his portrait of the character in the General Prologue to The Canterbury Tales, which inherently reflects the quality of the narrative attributed to him.
The Pardoner, armed with pan and ladle, hits the paramour on the nose, (which, as the narrator tells us, causes the man to experience chronic nasal problems for a week after the encounter). With the kitchen pan, the Pardoner injures the innkeeper's shin (which later becomes infected). Kit is the only one to escape unscathed.
Chaucer's Summoner is portrayed as guilty of the very kinds of sins for which he is threatening to bring others to court, and is hinted as having a corrupt relationship with the Pardoner. [41] In The Friar's Tale, one of the characters is a summoner who is shown to be working on the side of the devil, not God. [42] The murder of Thomas Becket
The Summoner uses the tale to satirise friars in general, with their long sermonising and their tendency to live well despite vows of poverty. It reflects on the theme of clerical corruption, a common one within The Canterbury Tales and within the wider 14th-century world as seen by the Lollard movement.
The Pilgrims in The Canterbury Tales by Geoffrey Chaucer are the main characters in the framing narrative of the book. In addition, they can be considered as characters of the framing narrative the Host, who travels with the pilgrims, the Canon, and the fictive Geoffrey Chaucer, the teller of the tale of Sir Thopas (who might be considered distinct from the Chaucerian narrator, who is in turn ...
The Pardoner's materialistic orientation, his suspicious relics and accusations of sinfulness (evident in his conflict with the Host) align him with Paul's account of the "outward Jew, circumcised only in the flesh", rather than the "inward" Jew of Romans 2.29 who is spiritually rather than literally circumcised: "the Pardoner, outwardly 'a ...
The frame story of the poem, as set out in the 858 lines of Middle English which make up the General Prologue, is of a religious pilgrimage. The narrator, Geoffrey Chaucer, is in The Tabard Inn in Southwark, where he meets a group of 'sundry folk' who are all on the way to Canterbury, the site of the shrine of Saint Thomas Becket, a martyr reputed to have the power of healing the sinful.
Pasolini also changed the order of these tales after removing the introduction scenes. In the original version, the tales proceeded as follows: The Miller's Tale > The Reeve's Tale > The Cook's Tale > Sir Thopas > The Wife of Bath's Tale > The Merchant's Tale > The Friar's Tale > The Summoner's Tale > The Pardoner's Tale.