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A Spanish story involving sexual jealousy and selfishness appears in Lope de Vega's play El Perro del Hortelano (English: The Gardener's Dog; 1618). In this case, De Vega's title alludes to the parallel European idiom involving a variant story in which a gardener sets his dog to guard his cabbages (or lettuces).
Augustine: The dogs are those that assault the truth; the swine we may not unsuitably take for those that despise the truth. Therefore because dogs leap forth to rend in pieces, and what they rend, suffer not to continue whole, He said, Give not that which is holy to the dogs; because they strive to the utmost of their power to destroy the truth.
The Dog in the Manger or The Gardener's Dog (Spanish: El Perro del Hortelano [el ˈpero ðel oɾteˈlano]) is a 1618 play by the Spanish playwright Lope de Vega. Its title refers to the proverb of the dog in the manger – it is an adaptation of a Spanish version of the story which deals with the emotional complications of class conflict. The ...
At first, the animals refuse to allow the humans into the manger, as they look down on them and their behavior. But, the animals relent, and Mary and Joseph are allowed into the stable for the night. That night, as Jesus is born, the animals are overwhelmed with love for each other—even the hogs are allowed into the stable for the first time ...
Churchill said of the Palestinians in 1937, "I do not agree that the dog in a manger has the final right to the manger even though he may have lain there for a very long time. I do not admit that right. I do not admit for instance, that a great wrong has been done to the Red Indians of America or the black people of Australia.
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The Dog in the Manger is a story and metaphor derived from an old Greek fable. The Dog in the Manger may also refer to: The Dog in the Manger, a 1618 play by Lope de Vega; The Dog in the Manger, a Soviet musical-comedy film, based on the play; The Dog in the Manger, a Spanish film, based on the play
Dogs are found in and out of the Muthappan Temple and offerings at the shrine take the form of bronze dog figurines. [21] The dog is also the vahana or mount of the Hindu god Bhairava. In the Mahabharata, when Yudhishthira reaches the gates of heaven (Swarga), Indra allows him to enter but refuses entry to the dog that accompanied him.