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Grand Kitano Tea Gathering monument at Kitano Tenmangu shrine, Kyoto. The Grand Kitano Tea Ceremony (Japanese: 北野大茶湯, Hepburn: Kitano ōchanoyu), also known in English as the Grand Kitano Tea Gathering, was a large Japanese tea ceremony event that was hosted by the regent and chancellor Toyotomi Hideyoshi at Kitano Tenmangū shrine in Kyoto on the first day of the tenth month in the ...
For this reason, most tea ceremonies are conducted in kimono, and though students may practice wearing Western clothes, students of tea ceremony will need to wear kimono at some point. On formal occasions, the host of the tea ceremony will always wear kimono, and for guests, formal kimono or Western formal wear must be worn. No matter the style ...
Since men's kimono are usually fairly subdued in pattern and colour, the nagajuban allows for discreetly wearing very striking designs and colours. [6]: 32–46 Nemaki A unisex cotton robe resembling a yukata, but with tube-shaped sleeves. Nemaki are commonly given as guest clothing at inns, and are worn as sleepwear.
Women do not wear hakama at tea ceremony. The image of women in kimono and hakama are culturally associated with school teachers. Just as university professors in Western countries don their academic caps and gowns when their students graduate, many female school teachers in Japan attend annual graduation ceremonies in traditional kimono with ...
The front gate to the Omotesenke Fushin'an estate, Kyoto. Omotesenke (表千家) is one of the schools of Japanese tea ceremony.Along with Urasenke and Mushakōjisenke, it is one of the three lines of the Sen family descending from Sen no Rikyū, which together are known as the san-Senke or "three Sen houses/families" (三千家).
A young woman modelling a jūnihitoe. The jūnihitoe (十二単, lit. ' twelve layers '), more formally known as the itsutsuginu-karaginu-mo (五衣唐衣裳), is a style of formal court dress first worn in the Heian period by noble women and ladies-in-waiting at the Japanese Imperial Court.
The first instances of kimono-like garments in Japan were traditional Chinese clothing introduced to Japan via Chinese envoys in the Kofun period (300–538 CE; the first part of the Yamato period), through immigration between the two countries and envoys to the Tang dynasty court leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. [1]
In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (書院造) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.
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