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Gilles Louis René Deleuze (/ d ə ˈ l uː z / də-LOOZ; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art.
What is Philosophy? (French: Qu'est-ce que la philosophie ?) is a 1991 book by the philosopher Gilles Deleuze and the psychoanalyst Félix Guattari.The two had met shortly after May 1968 and collaborated most notably on Capitalism & Schizophrenia (Volume 1: Anti-Oedipus (1972); Volume 2: A Thousand Plateaus 1980) and Kafka: Towards a Minority Literature (1975).
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Gilles Deleuze, Difference and Repetition, 1968; Gilles Deleuze, The Logic of Sense, 1969; Gilles Deleuze and Félix Guattari, Capitalism and Schizophrenia, 1972–1980; Jean Baudrillard, The Mirror of Production, 1973; Luce Irigaray, Speculum of the Other Woman, 1974; Michel Foucault, Discipline and Punish, 1975
Dialogues (French: Dialogues) is a 1977 book in which Gilles Deleuze examines his philosophical pluralism in a series of discussions with Claire Parnet. It is widely read as an accessible and personable introduction to Deleuze's philosophy along with Negotiations. The book contains an exposition of Deleuze's concepts and methodologies in which ...
Deleuze uses the preface to relate the work to other texts. He describes his philosophical motivation as "a generalized anti-Hegelianism" (xix) and notes that the forces of difference and repetition can serve as conceptual substitutes for identity and negation in Hegel. The importance of this terminological change is that difference and ...
Unhappy with the treatment of Franz Kafka’s work by scholars, Deleuze and Guattari wrote Kafka: Toward a Minor Literature in order to attack previous analyses of Kafka which they saw as limiting him either "by oedipalizing and relating him to mother-father narratives—or by trying to limit him to theological-metaphysical speculation to the detriment of all the political, ethical, and ...
The plane of immanence thus is often called a plane of consistency accordingly. As a geometric plane, it is in no way bound to a mental design but rather an abstract or virtual design; which for Deleuze, is the metaphysical or ontological itself: a formless, univocal, self-organizing process which always qualitatively differentiates from itself.
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