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Famous manga artist with works like Astro Boy and Kimba the White Lion [24] Yayoi Kusama: Born 1929 Conceptual artist, self-described "obsessive artist" [25] Minoru Niizuma: 1930–1998 Abstract sculptor Shigeo Fukuda: 1932–2009 Sculptor, graphic artist and poster designer who created optical illusions: Ushio Shinohara: Born 1932 Japanese Neo ...
Japanese woodblock prints inspired Western artists in many genres, particularly the Impressionists. [68] As the most famous Japanese print, [21] The Great Wave off Kanagawa influenced great works: in painting, works by Claude Monet; in music, [24] Claude Debussy's La Mer; and in literature, Rainer Maria Rilke's Der Berg.
Hokusai was known by at least thirty names during his lifetime. While the use of multiple names was a common practice of Japanese artists of the time, his number of pseudonyms exceeds that of any other major Japanese artist. His name changes are so frequent, and so often related to changes in his artistic production and style, that they are ...
Kaempfer, H. M. and W. O. G. Sickinghe The Fascinating World of the Japanese Artist. A Collection of Essays on Japanese Art by Members of the Society for Japanese Arts and Crafts, The Hague, Society for Japanese Arts and Crafts, 1971. ISBN 0-87093-156-3; Kapur, Nick (2018). Japan at the Crossroads: Conflict and Compromise after Anpo.
Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849). The series depicts Mount Fuji from different locations and in various seasons and weather conditions. The immediate success of the publication led to another ten prints ...
Beginning in the mid-6th century, as Buddhism was brought to Japan from Baekje, religious art was introduced from the mainland. The earliest religious paintings in Japan were copied using mainland styles and techniques, and are similar to the art of the Chinese Sui dynasty (581–618) or the late Sixteen Kingdoms around the early 5th century ...
19th-century Japanese artists (5 C, 27 P) 20th-century Japanese artists (8 C, 102 P) 21st-century Japanese artists (8 C, 80 P) A. Japanese architects by century (3 C) C.