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Trans is the thirteenth studio album by Canadian-American musician and singer-songwriter Neil Young, released on January 10, 1983. Recorded and released during his Geffen era in the 1980s, its electronic sound baffled many fans upon its initial release—a Sennheiser vocoder VSM201 [ 6 ] features prominently in six of the nine tracks.
Entertainment Weekly called the album "a blend of Wire-esque jaggedness, arena-rock machismo, and the occasional dance-friendly beat." [7] The Washington Post deemed it "a great record from a band pushing all the dance/noise/punk envelopes."
At the same time, the Trans Am EP was released onto streaming platforms. The release of the EP came with the announcement of their second album, Money Money 2020 Part II: We Told Ya So! . [ 5 ] Music videos for the other songs on the EP, "Flat Earth" and "Fentanyl", were released afterwards.
Everybody's Rockin ' is the 14th studio album by Canadian / American musician Neil Young, released on July 27, 1983. The album was recorded with the Shocking Pinks (a band made up just for the occasion), and features a selection of rockabilly songs (both covers and original material). Running 25 minutes, it is Young's shortest album.
The Scottish musician, producer and DJ, Sophie Xeon, more commonly known as SOPHIE, has been celebrated today, 17 September, by Google Doodle, with a touching animation for the late star. The ...
Living on Video (also known as Message on the Radio) is the first studio album by the Canadian synth-pop group Trans-X. Recorded and released in 1983 by Mantra Records, Message on the Radio was a seven-track album. Produced by Daniel Bernier, the record featured all instruments played by Pascal Languirand with Anne Brosseau on supporting vocals.
Futureworld is the fourth album by the American band Trans Am, released in 1999. [6] The band uses lyrics in their songs for the first time, employing vocoder synthesis. [ 7 ]
Free is the second studio album by English rock band Free, recorded and released in 1969. It saw the burgeoning of the songwriting partnership between Paul Rodgers and 16-year-old bassist Andy Fraser; eight of the nine songs are credited to the two. The album performed poorly, failing to chart in the UK and in the US. [2]