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"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
In 1609 Burby's widow assigned his copyrights – mainly of theological works – to the publisher's former apprentice Nicholas Bourne. Bourn had printed no dramatic works in his career, but was a successful publisher of news who worked for many years in partnership with Nathaniel Butter. [7] [8]
To Be or Not to Be offers the reader the option to play as one of three characters: Hamlet, Ophelia, or Hamlet Sr., King of Denmark.From there the story branches frequently, with some options following the course of the original play and others providing the choice to give up on the quest to kill King Claudius, or to follow other pursuits (Ophelia, for example, is a keen scientist who can ...
The speaker says that there is no reason why his friend should remain alone and let his beauty die off with him. Joseph Pequigney said that Shakespeare's sonnets have "erotic attachment and sexual involvement with the fair young man with whom all of sonnets 1-126 are concerned". [3]
Sonnet 23 is one of a sequence of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence. In the sonnet, the speaker is not able to adequately speak of his love, because of the intensity of his feelings. He compares himself to an actor onstage who is struck by fear and cannot perform ...
Sonnet 71 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It's a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. It focuses on the speaker's aging and impending death in relation to his young lover.
Sonnet 25 is one of 154 sonnets published by the English playwright and poet William Shakespeare in the Quarto of 1609. It is a part of the Fair Youth sequence. It is a part of the Fair Youth sequence.
—William Shakespeare Shakespeare 's Sonnet 34 is included in what is referred to as the Fair Youth sequence, and it is the second of a briefer sequence ( Sonnet 33 through Sonnet 36 ) concerned with a betrayal of the poet committed by the young man, who is addressed as a personification of the sun.
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