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Stream of consciousness is a literary method of representing the flow of a character's thoughts and sense impressions "usually in an unpunctuated or disjointed form of interior monologue." While many sources use the terms stream of consciousness and interior monologue as synonyms, the Oxford Dictionary of Literary Terms suggests that "they can ...
An elderly woman and her daughter sit quietly on their porch at sunset when Mr. Shiftlet comes walking up the road to their farm. Through carefully selected details, O'Connor reveals that the girl is deaf and mute, that the old woman views Shiftlet as 'a tramp,' and that Shiftlet himself wears a "left coat sleeve that was folded up to show there was only half an arm in it."
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
[1] [2] It must be narrated by a first-person character, such as a protagonist (or other focal character), re-teller, witness, [3] or peripheral character. [ 4 ] [ 5 ] Alternatively, in a visual storytelling medium (such as video, television, or film), the first-person perspective is a graphical perspective rendered through a character's visual ...
In literary criticism, a bildungsroman (German pronunciation: [ˈbɪldʊŋs.ʁoˌmaːn], plural bildungsromane, German pronunciation: [ˈbɪldʊŋs.ʁoˌmaːnə]) is a literary genre that focuses on the psychological and moral growth of the protagonist from childhood to adulthood (coming of age), [1] in which character change is important.
A phrase that describes an idea composed of concepts that conflict. "It was the best of times, it was the worst of times." (A Tale of Two Cities) Parody: Ridicule by overstated imitation, usually humorous. MAD Magazine: Pastiche: Using forms and styles from another author, generally as an affectionate tribute.
The way a character speaks can be a powerful way of revealing the character's personality. In theory, a reader should be able to identify which character is speaking simply from the way they talk. [11] When a character voice has been created that is rich and distinctive, the writer can get away with omitting many speech attributions (tag lines ...
"All the world's a stage" is the phrase that begins a monologue from William Shakespeare's pastoral comedy As You Like It, spoken by the melancholy Jaques in Act II Scene VII Line 139. The speech compares the world to a stage and life to a play and catalogues the seven stages of a man's life, sometimes referred to as the seven ages of man.